“Well, it’s rather brutal here. We’re advising all of our clients to put everything they’ve got into preserved goods and firearms.” This piece of sage advice comes from the Brain Gremlin – a scientifically altered, speaking, spectacled member of the slimy Gremlin horde that infests Manhattan’s ultra-modern Clamp Tower skyscraper in filmmaker Joe Dante’s zany follow-up Gremlins 2: The New Batch. On the surface, it’s merely an portfolio pointer from one monster to another. However, curiously, it’s also pretty solid life advice. Honestly, hear me out.
When life takes a turn for the worse, the worst thing you can do is approach matters with excessive gravity. The Brain Gremlin understands this. Indeed, the majority of the dentally-gifted beasts that inhabit Dante’s unrestrained 1990 movie (possibly his finest) possess the same wry, meta sense of humour regarding the blurry line separating everyday life and unadulterated chaos. It’s a particular aspect of Gremlins 2: The New Batch that ensures my return – and the older I get, it’s the theme that echoes the loudest.
Understandably, my fondness for this movie wasn’t born on such an deeply thoughtful note. In my youth, we possessed merely a few battered VHS tapes at home. Included within that collection were Gremlins and its second chapter, the latter housed in a thick former-rental sleeve likely purchased from an independent video outlet and sporting snarling creatures on its worn-out artwork. I was immediately enamoured and these films quickly proceeded embedding themselves inside my small, malleable brain. After that point, they became an almost-daily part of my youthful watching schedule.
Dante’s initial installment usually receives all the plaudits, thanks mostly because of its reputation as a partly frightening holiday classic – and don’t get me wrong, I’ve watched Gremlins an incalculable number of times. That said, its follow-up infrequently obtains the same level of high regard, which feels a travesty. As a kid, I’d always seize the chance to watch Gremlins 2. During sunny school summer breaks, I’d lock myself inside and pop it in. When I acquired my personal TV-VHS combo unit, it remained on repeat in my bedroom. Gradually, it ingrained itself in my mindset. If my parents detected this preoccupation, they appeared unbothered.
As I got older, new understandings enhanced multiple watches, heightening the enjoyment of watching small emerald creatures happily vandalize a New York high-rise. I learned the forward-thinking real estate tycoon and Clamp Tower owner, Daniel Clamp (John Glover), was modeled closely on future president Donald Trump, with his ginger staff member Marla (Haviland Morris) alluding to his former spouse Marla Maples. Fortunately, Clamp possesses greater compassion than his genuine article inspiration.
The “doomsday” video Clamp plays during maximum monster mayhem? I discovered it was inspired by a genuine “Doomsday” video created by the CNN boss Ted Turner should the world really ended. I noticed how Dante made a special effort to film varying versions of a self-aware scene where Gremlins take over the very film you’re watching. One for cinemas, one for VHS and TV, each delivering a smirking slice of self-referential entertainment sorcery ahead of its time.
While it was creature designer Rick Baker’s wonderfully grotesque creatures that captured my attention as a child, this deeper gold maintained my fascination as an adult. Eventually, I even conversed with Dante about it myself and he had no hesitation telling me he made the movie with the direct intention of ridiculing those who loved its absurd-yet-genuine predecessor and desired a sequel. “We were going to make fun of the fact you came to see it,” he gleefully confessed. This anarchic rebelliousness and commitment to not take his sequel as seriously as his Warner Bros bosses clearly wanted him to, only made me love it even more.
When I experienced a abrupt familial death earlier this year, I was astonished to realize that, during my most profound sorrow, all I wanted to do was sit and watch Gremlins 2: The New Batch. Strange, isn’t it? Maybe not. The comforting familiarity it offered was essential to thin out my mind’s mourning mire – but the stuff it had imparted to me as an adult were just as useful.
Like Gremlins running amok in a genetics laboratory, there’s particular aspects in life you just are powerless over. Dante understands this. The Brain Gremlin knows it too. Sometimes, you have to be like them: embrace the chaos, commit your entire being into tinned provisions and hunting rifles and try not to view the world with undue solemnity.
It’s strong life advice from a most improbable origin – and it’s the reason Gremlins 2: The New Batch will eternally stand as my feelgood film.
Wildlife biologist and sloth enthusiast with over a decade of field research in Central American rainforests.